Friday, 22 July 2016

He'll Always Be a Maurice to Me

The global terrorist threat of ISIS has forced Michael Caine to change his name by deed poll.
 
His new name? Michael Caine.
 
Allow us to explain. The actor, born Maurice Micklewhite, told The Sun that increased airport security was causing him delays because his passport bore his birth name.
 
“I changed my name when all the stuff started with ISIS,” he explained.
“An airport security guard would say ‘Hi Michael Caine,’ and suddenly I’d give him a passport with a different name on it. I could stand there for an hour. So I changed my name.”
 

Monday, 4 July 2016

Cainedoctes #1

Got the hair, got the glasses, does the point.



Our favourite Scottish tax exile sounds a right grumpy sod though, considering he did Zardoz the year before and ended up like this:


HATS OFF!

Tuesday, 7 June 2016

A Shock to the System (1990)



Glasses: No
Doing an Accent?: No, except when he says "Goddamn"
Accent for whole film?: No.
Hair: No
Does he point at someone?: Yes. Repeatedly.

Best line: "I've never understood why you need a stair machine WHEN WE HAVE STAIRS!?!"

Gonna come out straight on this one............I love this film.

First watched it in the late 90s when returning home from the pub (classic scenario!) and looking for something to watch on the telly. "Ah, a Caine. Never heard of it. 1990. Lets give it a go" and ended up 100% enjoying it all the way through. Then didn't watch it for another 15 years before having a Xmas drink and talking Caine (We at Mount Mickelwhite prefer to talk Caine whilst indulging in a libation), rewatched and it stood up to The Test.

Our Maurice plays "Graham Marshall" a man who has made his way up the corporate ladder (a world where you never need a light for yr fat cigar), has the wife, has the house, is a nice chap and is all set to get the promotion he's wanted for a while.

Except...........he's bored and dissatisfied with his life and shallow people around him, remembering when he was younger, on his way up and loving his life.

When he is passed over for a younger man, promotion wise, and accidentally kills a tramp in the NY subway and gets away with it, the feeling of power from that is revitalising, so he decides to have a clear out of obstacles in the way of the things he wants and stopping him being where he wants to be.

ITS YUPPIE KILLIN' TIME.

(He also thinks he's a wizard.)



Theres a nice touch in the film being narrated by Caine as though the story was being told after its happened, so we follow his path with explanation of why he does what he does. It works really well and we all end up rooting for good ol' Mike..............in spite of him being a killer and therefore a "bad man". Great acting from Mauzzer to make this character humane, likeable and honest. Even when plotting to brutally murder people.



The Good Stuff

1 - The music. Gary Changs soundtrack is a sort of upbeat double bass led Xylophone midi jazz affair. Very nice, very NY, VERY 1990.

Except......theres a naggingly insistent string motif that plays a lot..............What is that?.............What does that remind me of?.............

2 - The Rants. Of Which There Are Many and Varied.



3 - The Jack Carter Stare. Get on the end of that and you won't see a tomorrow.


 
 
4 - This recommendation in the trailer.
 


 
Good enough for me!


5 - Out with his new boss who got the job instead of him, on a "no hard feelings" weekend.


 
"cuts along at a jolly clip too, doesn't she?"










"She jolly well does!"












Mike...........you end him.  you end him GOOD. You have my full support. I'll even lend an alibi.


6 - Theres a smart little moment where Caine walks into the office after chatting with his friend George on the journey in about all sorts of stuff. The instant they leave the lift onto their floor, he switches into work mode, starts talking shop and addressing the days issues. Nice little touch that is recognisable for anyone who works in an office environment (as I do, sadly. Not started bumping em off yet though) where you leave the job in the entrance on the way in and out.

Outfit of the film: Lots of sharp business suits. Difficult choice as they are all a bit samey. Probably this number, making the lift look a bit regal












See this film! Its on tha 'tube right now in full. Don't buy the DVD I've got at its really dark n crappy looking. Still, at £1 I can't complain too much.

Saturday, 28 May 2016

The Eagle has Landed (1976)




Glasses: No
Doing an Accent?: Generically upper crust, passing as German.
Accent for whole film?: Yes
Hair: Short.  Blond.  Aryan.
Does he point at someone?: Only the once.


Being a dedicated Cainite is all about management of expectations.  You take what is being offered and make the most of what you're given.  Even the meagrest effort can have the odd moment (a rant, a point, glasses) that justifies the cost and time invested.

That said THE EAGLE HAS LANDED is quite, quite, quite, poor.

Himself is playing Steiner a (surprise!) German Paratrooper, currently in disgrace and sentenced to a penal battalion for trying (and failing) to save a Jewish lady in the opening scene.  It's hard to see this as anything other than a tissue thin cover for making the hero a German soldier circa 1939-45  'Look, he might be wearing a swastika armband, but he's not all bad eh?'

Robert DuVall, an eye-patched, chain-smoking Intelligence officer (and the only cast member to have a go at the accent) is tasked with drawing up a plan to kidnap Winston Churchill from deepest Norfolk.  DuVall picks MC and his men (sensible decision) and Donald Sutherlands louche, smirking, Irish Republican (incomprehensible decision) as the missions advance man.  This is where the film officially starts to fall apart.

Sutherland is a fine actor, but he's bizarre in this one. A wise-quipping, hard drinking, frightfully wigged Irish stereotype doesn't seem like the sort of chap Nazi HQ would heap great responsibility on.  Sutherland seems to have decided that he's in a knockabout comedy and plays his character as such (to be fair, he has form for this, see Heroes, Kellys).

Look, TEHL is a heist film at heart.  And heist films need to let the audience in on (some) of the plan, saving a few twists and surprises for the final reel.  And for all the fart-arsing around there doesn't seem to be much in the way of Plan.  Dress the Germans up as Poles, get them into the village, have them do some exercises to fool the local bumpkins  and then....?  No wonder the Germans lost.

The arrival of JR from Dallas as the commander of the locally based US forces means that we finally get to see some action (albeit of a hokey, stagey, bullshit variety) when the 'Mericans decide to storm the church where Der Deustch have holed up after their piss poor plan turned out to be a piss poor plan.

It is a bad film and punishingly long.  Worst of all, MC doesn't have anything interesting to do.  We can forgive many things here at Caineology Manor, but we can't abide a squandered Mike.

POINTS OF INTEREST

1)


Producers cameo budget well invested in getting DP in.  He plays Himmler as a smarmy, backstabbing, officious and pedantic little goitre and does a fine job.

2)
Donald Sutherland managing to woo the extremely fruity Jenny Agutter within two minutes of meeting despite a) actually dressing like this



...and b) being a Nazi spy.


3)
There was a good hour of the film where the 'Lets Kidnap Winny C' plan isn't mentioned at all.  In fact it's less a 'Nazis steal Churchill' film than it is a 'Mike and the boys are squatting in a church'

4)
It's a charmingly rustic Norfolk village with lovably backwards locals, but it only seems to have a population of 12.  And half of them are German agents.

5) "In a 1976 interview with Photoplay Film Magazine, Michael Caine (Kurt Steiner) claimed that his main reason for accepting this role was that he had turned down Where Eagles Dare (1968) and did not want to turn down another World War II film with "Eagle" in its title."
MCs decision making process is excellently random.

6) Col Steiner is definitely not based on Otto Skorzeny.  No Sir, not at all.

OUTFIT OF THE FILM

Not much choice here, given its a war film.  So first place goes to this snappy, post-raid 'cream roll-neck sweater, black rubber jacket, cap and cigar' combo.  Unfortunately the rest of Caines men are donning the same getup leaving them looking like the worlds most sinister folk band.


Thursday, 26 May 2016

Shill Your Company With A Naked Michael Caine.

Ashanti (1979)




Glasses: Sunglasses, but no glasses.
Doing an Accent?: Sort of
Accent for whole film?: Yes
Hair: Yes.
Does he point at someone?: Yes


Best line: (regarding the slave trader who kidnaps his wife) “Dead is just another corpse………alive, he could lead me to my wife.” Said with all the passion of a man reading his P60.


A husband and wife team of doctors are in Africa inoculating the locals. Whilst MC is taking some photos of the tribe, his wife decides to go for a bit of a swim nearby (gratuitous nudity abounds here, in the first ten minutes) and is kidnapped by slavers. In spite of her telling them she’s not a local and is an educated doctor from the W.H.O, they decide to flog her anyway, leading the slave caravan across the deserts and to the marketplace.

Oor Mike don’t take too kindly to his wife being shanghaied, so decides to give chase and The Game is Afoot. Cue a dusty action adventure with Rex Harrison as an anti-slavery official helping out Mr Caine wherever he can, mercenary helicopter pilots and Louis Jourdan’s double hard bastard Indian bodyguard from Octopussy as an El Bourak style figure all joining our man on his mission to rescue his wife.


Caine regards this one as one of the worst films he ever made, but I think he’s being unfair. Its decent enough story and the location filming helps a lot, but its not a well made film, when it could have been yr actual Epic had the director and photographers put some effort into making the film grandiose and sweeping. Instead, the first 30 mins feel like something out of an ITC episode. So I think MC had some expectations for this one going into it and came out disappointed with the final product.


Still, he does some marvellous shouting in this. At slave children, grown men, camels, anything really. Nothing seems to be immune from a Caine Rant. The sight of Michael Caine attempting to mount a camel was worth the price of admission alone (even on a free dvd off the front of a paper I’ve had for about 10 years and never bothered with until now). He also seems to made the decision to return to the Bromhead upper crust voice he puts on from time to time. As the film is set firmly in 1979 and not 1879, it’s a shame, as we could have pretended it was the further adventures of Bromhead in The Continent. Ah well.


Music was utter shite in this one, by the way. Another failing. The prominent bass was alright, I suppose and reminded me of the Frizzi style bass lines in all those Italo horrors.


Moments of interest:
1 – Slowest escape from a helicopter ever. Hovering over a river, the pilots been shot, you are under fire from the enemy and it looks bad. The pilot tells you to get out……………..so you very calmly look at him. Put the gun down in its correct place, it’s a weapon after all and someone might get hurt. Undo the seatbelt and then sedately climb out and leap into the river gently. About 2 seconds later the helicopter immolates.

2 – Its between 1964 and 1980 and you need a morally dubious Arabic/Indian looking chap for your film? You get Marne Maitland. He turns up here as a morally dubious Taureg chief.




3 – Lovely looking scenery somewhere there in the background. Shame they didn’t exploit it to its fullest (I love a good desert, me) but at least its there.








4 – In the grand finale dash to the harbour, Caine knocks a boy carrying bread out of the way. Was this needed? El Bourak went around the boy, but you went through him!? You shit.



5 – We may have found someone even more willing than Caine to take an easy cheque and turn up in any old crap film. All roads lead to a figure called “The Prince” who eventually buys Caines wife. It looks like a £500 for two days in the sun sort of a deal. Turns out to be none other than:




OMAR SHARIF. Here, espousing the joys of a cucumber sandwich. Well, enjoy them............because soon you'll be eating a knuckle sandwich.


Outfit of the film: Where to start? We get Caine the adventurer, Caine the Arab, Caine the doctor. Everything. But, there really is only one choice for this………….and that has to be Mike and Sexy Rexy’s matching “Englishmen abroad” safari suits. THE BOYS ARE OUT ON THE TOWN.



Tuesday, 24 May 2016

Caine IS Carter

Jack Carter on the Kings Road saying how nice people were in Newcastle, even though in the film he calls the place a craphole.


What more you want?

(begs the question - did he do this for all regions or just for Newcastle especially by way of apology?)